Chaudhuriâs measured, subtle, light-footed fiction is rich with hanging vignettes of domestic and urban life.
â James Wood
With the publication of Friend of My Youth, Amit Chaudhuri is now the author of seven novels, greatly admired, especially by his peers . . . the drama of the self, spun from Chaudhuriâs meditations and recollections, is artfully composed and utterly absorbing.
âKate Webb, Times Literary Supplement
Anything but a conventional novel, its pleasures arise from a craftsmanâs writing and its subtle demands and rewards.
âKirkus Reviews, starred review
A common, and false, complaint leveled against Chaudhuri by some critics is that nothing ever happens in his fiction. This is as untrue as saying that nothing ever happens in Waiting for Godot. Heâs at his best with surfaces, stacking and overlaying them to create startling effects.
âFinancial Times
To paraphrase a title of Proustâs, a writer Chaudhuri has been compared to often, this is a remarkable record of pasts recaptured that had never been free in the first place.
âMichael Autrey, Booklist
In this cogent and introspective novel, Chaudhuri movingly portrays how other people can allow individuals to connect their present and past.
âPublishers Weekly
A mini masterpiece. A really beautiful book. I love his honest, unsparing descriptions of himself, his weird, off-beat, unapologetic persona.
âFinancial Times, Everything Else podcast
What [Chaudhuri] does in this short novel, with exquisite delicacy, is show disconnection, vacancy and the physical worldâs imperviousness to human action, even of the most violent kind.
âEsquire (UK)
Friend of My Youth is a taut, efficient book: part novel and part manifesto. It presents itself as a work of fiction about friendship, the experiences of youth and the city of Mumbai, but really itâs a kind of anti-novel: a book about the failures of fiction to account for the realities of memory.
âThe Guardian
Chaudhuri is an exceptionally subtle writer, a skeptical seeker rather than a postmodern show-off. However you classify it, this journey through the traces of his past earns its literary sleight-of-hand. . . . In a book that (in a good sense) marks time, the narrator prepares for his next âleap of lifeâ. Like Benjaminâs Angel of History, which Chaudhuri does credit, these elegiac ruminations look backwards but move forwards.
âThe Spectator
This novel is âan assemblage of moments, of different kinds of awareness of the world, and even of writing.â Like [Henry] Greenâs novels it offers delight, it shimmers, you seek to catch hold of it and it slides away.
âThe Scotsman
[The narrator] remains unmoved by the memories Bombay evokes yet experiences an unsettling homesickness, a paradoxical state that is compellingly observed. He also likes to eat: miniaturist descriptions of the evolving food landscape are pin-sharp. The autofictional riffs are unshowy, often funny, and it all comes together as a textured reflection on the hold of the past.
âFrancesca Angelini, Sunday Times
Fiercely intelligent . . . elegant. [Chaudhuri] combines a serious reflection on psychology and friendship with an examination of the artistâs relationship to real life.
âThe Herald
What [Chaudhuriâs] work exemplifies is somebody who views the canon as everything, that there isnât a form of canonical literature that makes him cleave to one culture or the other.
âWill Self
I realized that I had no terms in my critical lexicon to communicate the delight and the pleasure that his writing had given me. I havenât encountered such joyous and playful writing about walking or eating . . . as I have in Chaudhuriâs books.
âSumana Roy, Los Angeles Review of Books
Amit Chaudhuri is a master. This book is a hymn to our present and our past. In todayâs noisy world, Chaudhuriâs words provide a home wherein we can contemplate the essential things in life.
âNadeem Aslam
What a beautifully lyrical composition. I love how it is pitched three-quarters of the way to fiction, but with an eloquent nod towards âreal lifeâ. In this sense, it possesses the fantasy of fiction, but the grit of the lived and experienced. It's an achievement.
âCaryl Phillips
Reading Friend of My Youth was very calming. A sort of relief. It re-arranged the nervous system: the sentences and paragraphs were in step with breath, with thought, with strolling; time is slowed down. I would not describe Amit as a miniaturistâalthough his books are shortâno, he is an epic writerâhis protagonists have made long journeys.
âDeborah Levy
An epiphanic, limpid work . . . a truly wonderful novel.
âRTE Ireland
Friend of my Youth is a mesmerizing book. I started it early one afternoon in Italy, out of a simple desire to dwell in the 1980s, and then found myself restless outside its force field⌠and was relieved to return to it. The book has many pleasures to offer, especially those of recognition (it's always nice to see Chunky Pandey being resurrected). And though at first its meditations on the nature of the self and memory seemed to resemble those found within the tradition of European modernism, I began to think as I read on, and became convinced by the end of the book, that more than anything by Proust, Gide, and Woolf, it comes close to illustrating the Buddhist theory of dependent origination.
âPankaj Mishra
In my opinion, his most interesting book, entirely free of the anxiety of influence.
âJeet Thayil, Books of the Year, Scroll.in
A mini masterpiece . . . He doesnât really follow the conventions of what we think of as a novel, but is⌠pushing and stretching at those boundaries . . . I love his honest, unsparing descriptions of himself, his weird, off-beat, unapologetic persona . . . a really beautiful book.
âFinancial Times Culture Podcast
I have read nothing like it . . . it has changed the novel . . . I canât recommend it highly enough.
âGoergina Godwin, Monocle Radio